2024-09-05 04:20:02
NEW YORK (AP) — Jack Draper powered into his first Grand Slam semifinal, beating Alex de Minaur 6-3, 7-5, 6-2 on Wednesday to become the first man since 2020 to reach the final four at the U.S. Open without dropping a set.
The No. 25 seed from Britain relied on his serve that reached 128 mph to set up some of his 40 winners in the match, and he broke the 10th-seeded de Minaur’s serve six times.
Draper is the first British man to reach the U.S. Open semifinals since Andy Murray won the title in 2012.
He will face either top-seeded Jannik Sinner or No. 5 Daniil Medvedev in Friday’s semifinals. Medvedev was the last man to reach the semifinals in Flushing Meadows without dropping a set, the year before he won the 2021 title.
Earlier, Karolina Muchova got back to the U.S. Open semifinals for the second straight year, punctuating her return from wrist surgery by beating No. 22 Beatriz Haddad Maia 6-1, 6-4.
Muchova lost to eventual champion Coco Gauff in the 2023 semis in Flushing Meadows, then missed nearly 10 months because of a wrist injury she suffered during the tournament.
The Czech returned to action in June just before Wimbledon, and a little more than two months later she is into her fourth career Grand Slam semifinal.
“Game-wise, I think every match here I feel better on court and that for sure helps,” Muchova said. “More matches and getting through that experience on the court again, that helps a lot as well to be more confident and feel my shots.”
Muchova will face top-seeded Iga Swiatek or No. 6 Jessica Pegula on Thursday in the semifinals. Australian Open champion Aryna Sabalenka, the No. 2 seed, faces first-time Grand Slam semifinalist Emma Navarro in the other semi.
Muchova dominated the first set, racing to a 5-0 lead and finishing it off in 35 minutes. Then it became a test in the second, with both players struggling physically on a sunny afternoon.
Muchova left the court at one point for what she said was a needed trip to the bathroom, while Haddad Maia appeared to be pointing to her chest and trying to breathe deeply midway through the set before burying her head in a towel as trainers attended to her.
Muchova has had to get used to dealing with pain.
She had just made her second major semifinal of 2023, having lost to Swiatek in the French Open final, when she had to stop playing following the U.S. Open. When she finally got back to the tour this year, it left time for only 11 matches before returning to Flushing Meadows.
That was enough time for Muchova to rediscover her game. She hasn’t dropped a set in her five matches and finished off this one with an ace down the middle.
Muchova, who missed most of the first half of the 2022 season because of back, abdominal and ankle problems, said she didn’t like to talk about her injuries.
“I’ve been through a lot of them,” the 28-year-old said. “Yeah, this last one, the wrist surgery, was one of the worst ones that I had. Now looking back, I’m, like, ‘Oh, it actually flew by, the time, and I feel strong again.’”
Many fans hadn’t even taken their seats at Arthur Ashe Stadium when Muchova broke Haddad Maia in a 14-point game to take a 2-0 lead. The Brazilian faced that same deficit in her third-round match against Anna Kalinskaya but won the next game to start a turnaround, helped in part by a video review that gave her a point.
The U.S. Tennis Association acknowledged the next day that Haddad Maia’s shot was illegal, but the chair umpire wasn’t given the relevant replay that would have shown that.
Muchova wouldn’t allow a turnaround this time, denying Haddad Maia what would have been the second major semifinal of her career. She got to that stage in the French Open last year, but said she had trouble concentrating Wednesday.
“I didn’t put pressure on me because of her. It was me and myself, it was my ghosts inside my mind and I know all the tennis players have that,” Haddad Maia said. “Today was like an inner fight. I couldn’t manage that.”
AP tennis: https://apnews.com/hub/tennis
Copyright 2024 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
